Endtroducing..... is structured completely out of sampled elements, including hip hop, jazz, funk, psychedelia, old television shows, interviews and percussion tracks. The entirety of the album was composed on an MPC60, a machine which Shadow would later pass on to Chief Xcel. The album has been cited in Guinness World Records as being the first album created entirely from sampled sources.
In 2005 DJ Shadow released a "Deluxe Edition" of the album with a second disc containing demos, alternate versions of original tracks, tracks exclusive to CD singles, and a vintage live set recorded on October 30, 1997.
The album's cover depicts Solesides members Chief Xcel (left) and Lyrics Born (right) in Village Records, a record store at 710 K Street in Sacramento, California. The K Street location of Village Records closed in December 2006, and have since relocated to the former Tower Records location at the corner of Broadway and South Land Park Drive.
Reception & influence:
NPR included Endtroducing..... in its list of the top 300 American songs and albums of the 20th century, and Spin placed the album at number 69 in its list of the 100 greatest albums between 1985 and 2005 in June 2005. In 2006, the album was chosen by TIME as one of the 100 best albums of all time.
Professional reviews:
- Rolling Stone (1/23/97, pp.62-63) - 4 Stars (out of 5) - "The DJ built songs out of layer upon layer of sampled instruments and other sound fragments, most of which he processed, looped and re-arranged far beyond recognition....funky rhythms that never sound like they've been cut and pasted together."
- Spin (p.134) - "[T]his remains a stone classic, channeling Afrika Bambaataa's genre-splicing, DJ-booth mysticism into a fully realized studio epic..."
- Spin (1/97, p.81) - 9 (out of 10) - "...layers slinky break-beats with sampled sounds--anything from church bells to War Of The Worlds and, egad, Tears For Fears....a cosmic-chamber feel complete with choruses of fallen angels, plucked harps, Mellotron, and cello."
- Entertainment Weekly (11/29/96, p.92) - "Unfolding like a surreal film soundtrack on which jazz, classical, and jungle fragments are artfully blended with turntable tricks and dialogue snippets, Endtroducing... takes hip-hop into the next dimension." - Rating: A-
- Q magazine (11/96, p.120) - 4 Stars (out of 5) - "Shadow's brief is to develop a totally sample-based idiom, weaving a cinematically broad spectrum so deftly layered that the sampling-is-stealing argument falls flat."
- Uncut (p.121) - 4 stars out of 5 - "It's an elegy from a vinyl mausoleum, a sonic fiction assembled by a keen-eared archaeologist."
- Alternative Press (4/97, p.70) - 5 (out of 5) - "...an undeniable hip-hop masterpiece....DJ Shadow remembers that sampling is an art form."
- Magnet (p.88) - "An instrumental album entirely composed of samples and influenced by both prog rock and Public Enemy was, at the time, revolutionary....Still unmatched in its carefree invention."
- JazzTimes (4/97, p.65) - "Some consider...Endtroducing... a broadcast from hip-hop's near future. But that notion ignores how much this disc reaffirms the music's creative roots....Endtroducing is pretty damn good, with Shadow demonstrating an unerring ear for motif and texture, touching on everything from dub to funk to groove-jazz."
- Option (1-2/97, p.73) - "Shadow makes records the way Robert Rauschenberg made his combines: from scraps, pop artifacts, the things other people throw away....While some of his tracks float serenely on a cloud of jazzy phrasing and ambient textures, Shadow always lands on his beat."
- Melody Maker (9/14/96, p.49) - Bloody Essential - "...it flips hip hop inside out all over again like a reversible glove, and again, and again, and each time it's sudden and new. I am, I confess, totally confounded by it. I hear a lot of good records, but very few impossible ones....You need this record. You are incomplete without it."
- Rap Pages (12/96, p.33) - "Innovative arrangements and structures of sound are present here, reflecting a mind that is constantly summoning collage forms."
- Mojo (p.120) - 4 stars out of 5 - "A decade on, DJ Shadow's affirmatory essay on record collecting as a creative endeavour has lost none of its grandeur."
- "Best Foot Forward" – 0:47
- "Building Steam With a Grain of Salt" – 6:39
- "The Number Song" – 4:34
- "Changeling" – 7:16
- "Transmission 1" - 0:35
- "What Does Your Soul Look Like (Part 4)" – 5:02
- " " – 0:25
- "Stem/Long Stem" – 7:47
- "Transmission 2" - 1:29
- "Mutual Slump" – 4:00
- "Organ Donor" – 1:57
- "Why Hip Hop Sucks in '96" – 0:44
- "Midnight in a Perfect World" – 4:58
- "Napalm Brain/Scatter Brain" – 9:21
- "What Does Your Soul Look Like (Part 1 - Blue Sky Revisit)" – 6:17
- "Transmission 3" - 1:11
Deluxe edition bonus disc:
- "Best Foot Forward (Alternate Version)" - 1:16
- "Building Steam With a Grain of Salt (Alternate Take Without Overdubs)" - 6:43
- "Number Song (Cut Chemist Party Mix)" - 5:14
- "Changeling (Original Demo Excerpt)" - 1:00
- "Stem (Cops 'N' Robbers Mix)" - 3:48
- "Soup (Single Version)" - 0:44
- "Red Bus Needs to Leave" - 2:45
- "Mutual Slump (Alternate Take Without Overdubs)" - 4:21
- "Organ Donor (Extended Overhaul)" - 4:29
- "Why Hip Hop Sucks In '96 (Alternate Take)" - 0:54
- "Midnight in a Perfect World (Gab Mix)" - 4:55
- "Napalm Brain (Original Demo Beat)" - 0:35
- "What Does Your Soul Look Like (Peshay Remix)" - 9:24
- "Live In Oxford, England Oct. 30 1997" - 12:35
The following lists some of the songs and sounds sampled for Endtroducing.
Best Foot Forward
- "It's My Turn" by Stezo
- "Real Deal" by Lifer's Group
- "He's My DJ" by Sparky Dee
- "Poison" by Kool G. Rap & DJ Polo
- "Dynamite" by Masters of Ceremony
- "Cold Chillin' in the Spot" by Jazzy Jay
- "Do or Die Bed-Stuy" by Divine Sounds
- "Party's Gettin' Rough" by Beastie Boys
- "You Can't Stop the Prophet" by Jeru the Damaja
- "Concerto for Jazz/Rock Orchestra, Part 2" by Stanley Clarke
Building Steam with a Grain of Salt
- "I Worship You" by Lexia
- "I Need You" by H.P. Riot
- "I Feel a New Shadow" by Jeremy Storch
- "Planetary Motivations (Cancer)" by Mort Garson
- "Music Makers: Percussion" by the Chevron/Standard Oil Company of California (1974) From an interview with George Marsh, jazz drummer, percussionist
The Number Song
- "Orion" by Metallica
- "Been Had" by Sapo
- "Breakdown" by T La Rock
- "AJ Scratch" by Kurtis Blow
- "Quit Jivin'" by Pearly Queen
- "Baby Don't Cry" by The Third Guitar
- "8 Counts for Rita" by Jimmy Smith
- "Sexy Coffee Pot" by Tony Avalon & The Belairs
- "Back to the Hip-Hop" by The Troubleneck Brothers
- "Bad Luck" by Don Covay & the Lemon Blues Band
- "Can I Kick It (Spirit Remix)" by A Tribe Called Quest
- "Who Got the Number" by Pigmeat Markham & the B.Y.
- "Fantastic Freaks at the Dixie" by DJ Grand Wizard Theodore
- "Corruption is the Thing/Chrystal Illusion" by Creations Unlimited
- "Flash it to the Beat" (Live), & "Freelance" by Grandmaster Flash
Changeling/Transmission 1
- "Soft Shell" by Motherlode
- "Klondyke Netti" by Embryo
- "Invisible Limits" by Tangerine Dream
- "Imagination Flight" by Chaffey College Jazz Ensemble
- "Here Comes the Meterman" by The Meters
- The Dream Message from Prince of Darkness
- "Inner Mood I" & "Touching Souls" by Kay Gardner
- "The Man Who Couldn't Cry" by Loudon Wainwright III
- "Imagination Flight" by Chaffey College Jazz Ensemble
What Does Your Soul Look Like, Pt. 4
- "The Vision and the Voice, Part 1 - The Vision" by Flying Island
Untitled (Track 06)
- "Grey Boy" by Human Race
Stem/Long Stem/Transmission 2
- "Love Suite" by Nirvana
- "Tears" by Giorgio Moroder
- "Linde Manor" by Dennis Linde
- "Dolmen Music" by Meredith Monk
- "The Human Abstract" by David Axelrod
- "The Madness Subsides" by Pekka Pohjola
- "Freedom" (spoken word) by Murray Roman
- The Dream Message from Prince of Darkness
- "Variazione III. (Tredicesimo Cortile)" by Osanna
- "Blues So Bad" by The Mystic Number National Bank
- "Oleo Strut" by Steve Drews (as part of Mother Mallard's Portable Masterpiece Co.)
Mutual Slump
- "Possibly Maybe" by Björk
- "Love, Love, Love" by Pugh Rogefeldt
- "More Than Seven Dwarfs in Penis-Land" by Roger Waters & Ron Geesin
Organ Donor
- "Someone" by Bill & Tim
- "Tears" by Giorgio Moroder
- "PM or Later (Instrumental)" by The New Breed
- "There's a DJ in Your Town" by Samson & Delilah
Midnight in a Perfect World
- "Soul" by S.O.U.L.
- "Outta State" by Akinyele
- "Sower of Seeds" by Baraka
- "Life Could" by Rotary Connection
- "California Soul" by Marlena Shaw
- "The Human Abstract" by David Axelrod
- "The Madness Subsides" by Pekka Pohjola
- "Dolmen Music" & "Gotham Lullaby" by Meredith Monk
- "Releasing Hypnotical Gases" by Organized Konfusion
- "Summer Breeze" by The Isley Brothers
Napalm Brain/Scatter Brain
- "'Pon a Hill" by T. Rex
- "Walk on By" by Joann Garrett
- Dialogue from The Aurora Encounter
- "Moment of Truth" by Charles Bernstein
- "A Funky Kind of Thing" by Billy Cobham
- "Let the Homicides Begin" by Top Priority
- "2001: A Space Odyssey" by Daly-Wilson Bigband
- "Soul Brothers Testify" by The Original Soul Senders
What Does Your Soul Look Like, Pt. 1: Blue Sky Revisit
- "All Our Love" by Shawn Phillips
- "Joe Spilivigates" by David Young
- "Nucleus" by Alan Parsons Project
- The Dream Message from Prince of Darkness
- "Voice of the Saxophone" by The Heath Brothers
- Voice of the "The Giant" from episode 14 of Twin Peaks
- Josh Davis (DJ Shadow) - production, mix, engineering
- Lyrics Born - vocals - untitled track 6 & "Why Hip-Hop Sucks in '96"
- Gift of Gab - vocals - "Midnight in a Perfect World"
No comments:
Post a Comment