Showing posts with label Nirvana. Show all posts
Showing posts with label Nirvana. Show all posts

Nirvana - Bleach [1989]


Genre: Indie, Grunge, Lo-Fi, Alternative, Garage Rock, Post-Punk

MySpace: nirvana

My opinion & thought: The real joy of "Bleach" is between the lo-fi raw 3-piece band sound & the anger of Kurt Cobain's lyrics.

Stands out track(s)Love Buzz, About A Girl,  Blew


Nirvana was an American rock band that was formed by singer/guitarist Kurt Cobain and bassist Krist Novoselic in Aberdeen, Washington in 1987. Nirvana went through a succession of drummers, the most notable being Dave Grohl, who joined the band in 1990.

With the lead single "Smells Like Teen Spirit" from the band's second album Nevermind (1991), Nirvana entered into the mainstream, bringing along with it a subgenre ofalternative rock called grunge. Other Seattle grunge bands such as Alice in ChainsPearl Jam, and Soundgarden also gained popularity, and as a result, alternative rock became a dominant genre on radio and music television in the United States during the early-to-mid-1990s. As Nirvana's frontman, Kurt Cobain found himself referred to in the media as the "spokesman of a generation", with Nirvana the "flagship band" of Generation X. Cobain was uncomfortable with the attention and placed his focus on the band's music, believing the band's message and artistic vision to have been misinterpreted by the public, challenging the band's audience with its third studio album In Utero (1993).

Nirvana's brief run ended with Cobain's death in April 1994, but the band's popularity continued in the years that followed. In 2002, "You Know You're Right", an unfinished demo from the band's final recording session, topped radio playlists around the world. Since their debut, the band has sold over twenty-five million albums in the US alone, and over fifty million worldwide.

Bleach is the debut album by the American grunge band Nirvana. It was released on June 15, 1989 through the independent record label Sub PopBleach originally sold a mere 30,000 copies, but following the enormous success of the band's second album, Nevermind (1991), fans discovered Nirvana's lesser known debut. It has since been certified platinum by the Recording Industry Association of America.

The main sessions for Bleach took place at Reciprocal Recording Studios in SeattleWashington, with local producer Jack Endino manning the board. Nirvana began recording with a five hour session on December 24, 1988. The band recorded again on December 29-31, and on January 14 and 24. Ultimately Endino billed the group for 30 hours of recording time. Three of the album's songs–"Floyd the Barber", "Paper Cuts", and the CD-only track "Downer"–were recorded during a previous session at Reciprocal Studios in 1988, featuring Dale Crover on drums. Despite attempts to re-record them with new drummer Chad Channing, the band ultimately decided to remix the versions recorded with Crover for the final version of Bleach. "Big Long Now" was omitted from the album because vocalist/guitarist Kurt Cobain felt "there was already enough slow heavy stuff on Bleach, and he "didn't want that song to go out", according to Endino. The album was edited and sequenced, but Sub Pop headBruce Pavitt ordered that the album be completely resequenced. The record was further delayed for several months until Sub Pop was able to secure sufficient funds to issue it.

The recording sessions were completed with a cost of $606. Jason Everman, a guitarist who was impressed by the band's demo with Dale Crover, supplied the money. He eventually joined Nirvana as a second guitarist. Everman received a credit on the album sleeve, even though he did not perform on the record. Bassist Krist Novoselic explained, "We just wanted to make him feel at home in the band."

According to Cobain, the music on Bleach conformed with the grunge genre Sub Pop heavily endorsed. "There was this pressure from Sub Pop and the [grunge] scene to play 'rock music'," Cobain said. "Strip it down and make it sound like Aerosmith." Cobain felt he had to fit the expectations of the grunge sound in order to build a fanbase, and so he purposefully suppressed his arty and pop songwriting traits when crafting the record.

Cobain told Spin in 1993 that with Bleach "I didn't give a flying fuck what the lyrics were about," and claimed that eighty percent of the lyrics were written the night before recording. Cobain often was still working on them on the drive to the recording studio. He explained, "It was like I'm pissed off. Don't know what about. Let's just scream negative lyrics, and as long as they're not sexist and don't get too embarrassing it'll be okay. I don't hold any of those lyrics dear to me." Nirvana biographer Michael Azerrad noted that nevertheless many of the songs on the album were reflective of Cobain and various incidents in his life. "Mr. Moustache" was inspired by Cobain's dislike of macho behavior, while "School" was a critique of the Seattle music scene, particularly Sub Pop.

Sub Pop pressed the first 1,000 copies on white vinyl, the next 2,000 on black, and all subsequent pressings were on red and blue. The first 3,000 copies of the record came with a poster, featuring Jason Everman. The vinyl pressings omitted "Big Cheese" or "Downer". In the United Kingdom, the record was released on Tupelo Records in June 1989. The first 300 Tupelo copies were pressed on white vinyl; the next 2,000 copies were on dark green. The rest of the Tupelo copies were on black vinyl. The Tupelo copies did contain "Love Buzz", but "Big Cheese" was listed on the label and sleeve instead. They also did not contain "Downer". In AustraliaBleach was released on Waterfront Records and later re-issued on various colored covers and colored vinyl prior to 1992. Sub Pop released a remastered version of the album on CD andcassette in April 1992.

The album's working title was Too Many Humans. It was renamed Bleach after Cobain found an AIDS prevention poster while Nirvana was driving through San Francisco. The poster advised heroin addicts to bleach their needles before use, featuring the slogan "Bleach Your Works."


Tracklisting:

01. Blew
02. Floyd The Barber
03. About A Girl
04. School
05. Love Buzz
06. Paper Cuts
07. Negative Creep
08. Scoff
09. Swap Meet
10. Mr. Moustache
11. Sifting
12. Big Cheese
13. Downer


Personnel:

Nirvana - In Utero [1993]

Genre: Grunge, Alternative, Post-Punk, Garage Rock

MySpace: nirvana

My opinion & thought: The others might said "Nevermind" is their best album, I don't think so, I prefer "In Utero". Feel the raw spirit & anger of Kurt Cobain from his very last piece of work. Every song tells a story of his life.

Stands out track(s): Rape Me, Pennyroyal TeaServe The Servants



In Utero is the third and final studio album by the American grunge band Nirvana, released on September 21, 1993 through DGC Records. The album's abrasive and aggressive sound was a departure from the polished production of the band's breakthrough second album, Nevermind (1991), due in part to the selection of recording engineer Steve Albini.

"Heart-Shaped Box" was the first single released from the album, followed by "All Apologies/Rape Me", which was released as a double A-side single due to the explicit nature of the latter song. Both singles topped the Billboard Modern Rock Tracks chart in the United States. "Pennyroyal Tea" was intended to be released as the third single in April 1994, but was cancelled after the death of the band's frontman, Kurt Cobain.

While In Utero did not sell as well as Nevermind, it was a commercial and critical success. The album was certified platinum by the Recording Industry Association of America by the end of 1993; it was most recently certified 5x platinum, and now ranks in the top 100 bestselling albums in the US.

Album title:

The original title for In Utero was to be I Hate Myself And Want to Die, sharing its title with a song that was planned for the album. The phrase had originated in mid-1992 from one of Cobain's journal entries, and was meant as humor. It was Cobain's response whenever someone would ask him "how are you?". The tentative album title would be changed after Novoselic convinced Cobain that I Hate Myself And Want to Die could potentially result in a lawsuit. The band considered the title Verse Chorus Verse, a title shared with "Verse Chorus Verse" and an earlier working title of "Sappy". The final title was taken from one of Courtney Love's poems, and is a Latin term meaning "in the uterus".


Music & lyrics:

In Utero was the first Nirvana album that included lyrics in its liner notes, partly because Cobain wanted to be taken more seriously as a songwriter, and partly because Cobain's singing style often made it difficult to understand his lyrics.

Though Cobain himself stated that "for the most part [In Utero]'s very impersonal," much of the album is related to his personal life. "Serve the Servants" references Cobain's personal experiences, both recent and past. The opening line "Teenage angst has paid off well / Now I'm bored and old" references Nirvana's unexpected success and acclaim. The song also references the treatment of Courtney Love in the press through a metaphor about witch-hunts ("If she floats then she is not a witch like we thought"), and belittles the impact of his parents' divorce ("That legendary divorce is such a bore"). However, most of the song is about Cobain's father; in a rough draft of the album's liner notes, he wrote that "I guess this song is for my father, who is incapable of communicating at the level of affection in which I have always expected."

Similarly, "Rape Me" contains a reference to a Vanity Fair article about Courtney Love, that accused her of taking heroin while pregnant and included an anonymous quote from a close friend of the band. The article was so hurtful to Cobain that he contemplated a double suicide with Love the day after their child, Frances Bean Cobain, was born. The line "my favorite inside source" from the bridge of "Rape Me" reflects Cobain's feelings of betrayal at the anonymous source in the article.

Other songs contain thinly-veiled attacks on the media. "Frances Farmer Will Have Her Revenge on Seattle" was inspired by actress Frances Farmer, with whom Cobain was fascinated, particularly the fictionalized account of her life presented in the novel Shadowland. Although inspired by an outside influence, Cobain draws a parallel to his own life, and compares the unfair treatment of Farmer to the treatment he received in the press. The song "Radio Friendly Unit Shifter" is an attack on the music industry. In the music industry, the term "radio friendly" refers to a song which radio stations consider "airable", while the term "unit shifter" refers to a song that can sell an album.

Although Cobain had flirted with medical themes in the past, it had never been to the extent as on In Utero. In addition to the medical-themed artwork, many of the songs contain mentions of or references to semen,hymensopen soresparasites and abortion. "Milk It" and "Pennyroyal Tea" are perhaps the most medical-oriented songs on the album.

The song "Scentless Apprentice" was written about Perfume: The Story of a Murderer, a historical horror novel about a perfumer's apprentice born with no body odor of his own but with a highly developed sense of smell, and who attempts to create the "ultimate perfume" for himself by killing virgin women and taking their scent.


Recording:

Nirvana chose Steve Albini, known as former frontman of the noise rock band Big Black and producer for various indie releases, to record its much-anticipated follow-up toNevermind. Albini had a reputation as a principled and opinionated individual in the American independent music scene. While there was speculation that Albini was chosen to record the album due to his underground credentials, Cobain told Request magazine in 1993, "For the most part I wanted to work with him because he happened to produce two of my favorite records, which were Surfer Rosa [by the Pixies] and Pod [by the Breeders]." Inspired by those albums, Cobain wanted to utilize Albini's technique of capturing the natural ambiance of a room via the usage and placement of several microphones, something previous Nirvana producers had been averse to trying. Months before the band had even approached Albini about the recording, rumors had been circulating that he was slated to record the next Nirvana album. Albini eventually sent a disclaimer to the British music press refuting the allegations, only to get the call from Nirvana's management a few days later. Although Albini considered Nirvana to be "R.E.M. with a fuzzbox" and "an unremarkable version of the Seattle sound," he told Nirvana biographer Michael Azerrad he accepted because he felt sorry for the band, whom he perceived to be "the same sort of people as all the small-fry bands I deal with" at the mercy of their record company.

Nirvana, under the guise "The Simon Ritchie Bluegrass Ensemble", entered Pachyderm Studio in February 1993 to record In Utero. Albini did not meet the band until the first day of recording, though he had spoken to the band beforehand about the type of album they wanted to make. Albini observed that "they wanted to make precisely the sort of record that I'm comfortable doing." Before embarking on the sessions, Albini was sent a tape of demos the band had cut in Brazil in January 1993. The only others present for the duration of the session were Robert S Weston IV (studio maintenance technician), Carter Nicole Launt (chef) and her dog, Z. During the sessions Albini instituted a strict policy of ignoring everyone except for the band in order to prevent the band's managers and label from interfering.

The band recorded the tracks live and kept virtually everything they recorded. Albini and Weston estimate that it took four or maybe five days to record the basic tracks, a couple of days for overdubbing and a final few days mixing. They finished slightly ahead of the two-week deadline, and the album was mixed in under a week; Cobain added additional guitar tracks to about half the songs, then added guitar solos, and finally vocals. The total recording costs for In Utero were $24,000, and on top of that, Albini took a flat fee of $100,000. Albini refused points on record sales since he considers the practice to be immoral.

Albini commented that, "On a couple of songs [Cobain] used this broken guitar amplifier that had a really brutal sound and he was talking about how he had to keep it away from the technicians that they toured with because he was afraid that they were going fix it and then the sound would go away."[citation needed] Cobain is believed to have employed his Sunburst Univox Custom on most of the guitar parts. On one song he played a rare all-aluminium guitar called a Veleno, which Albini had brought along specifically. According to Albini the "strained, distorted guitar sounds" came from the use of a Fender Twin Reverb amp, with three of its four power tubes broken or missing. Everything was recorded on a vintage 24-track analog board (Neve console). For the most part there was no studio trickery utilized during recording; the only "special effect" Albini could recall was a vocal effect on "Milk It" and "Rape Me", "There's a really dry, really loud voice at the end of 'Milk It' [. . .] that was also done at the end of 'Rape Me,' where [Cobain] wanted the sound of him screaming to just overtake the whole band."

Cobain later claimed in Ooz magazine that lyrics finished for only half the songs and the rest came from messing around in the studio. Yet in the biography, Come as You Are: The Story of Nirvana, he claimed he again finished writing most of the lyrics within days of recording the vocals, culling most of them from notebooks full of poetry.


Tracklisting:

All songs by Kurt Cobain except where noted.

  1. "Serve the Servants" – 3:36
  2. "Scentless Apprentice" (Cobain, Dave GrohlKrist Novoselic) – 3:48
  3. "Heart-Shaped Box" – 4:41
  4. "Rape Me" – 2:50
  5. "Frances Farmer Will Have Her Revenge on Seattle" – 4:09
  6. "Dumb" – 2:32
  7. "Very Ape" – 1:56
  8. "Milk It" – 3:55
  9. "Pennyroyal Tea" – 3:37
  10. "Radio Friendly Unit Shifter" – 4:51
  11. "Tourette's" – 1:35
  12. "All Apologies" – 3:51

Personnel: